Canellakis | Brown Duo
joined by
Orion Weiss & Ian David Rosenbaum

SATURDAY NOVEMBER 14

at 2 pm

Hailed as “a pair of adventurous young talents” (Time Out New York) who “play with their antennae tuned to each other” (The Washington Post), cellist Nicholas Canellakis and pianist-composer Michael Brown have been captivating audiences with performances that combine masterpieces from the standard repertoire with original compositions and arrangements. The Duo recently toured the United States with a program of all American composers, culminating in a New York City recital presented by the Chamber Music Society of Lincoln Center. Mr. Canellakis and Mr. Brown regularly perform at leading music festivals, including Music@Menlo, Bard, Ravinia, Bridgehampton, Santa Fe, La Jolla, Moab, Saratoga Springs, and Music in the Vineyards. Their debut duo album, Out of Darkness, featuring works by Barber, Shostakovich, Brown and Canellakis, was released on CAG Records.

Mr. Canellakis and Mr. Brown are both artists with the Chamber Music Society of Lincoln Center, having been winners of the Society’s CMS Two international auditions. Both maintain active solo careers, performing concertos throughout the U.S. each season. Mr. Canellakis, hailed as a “superb young soloist” (The New Yorker), made his Carnegie Hall Stern Auditorium debut in 2015 as soloist with the American Symphony Orchestra. Mr. Brown, described as a “young piano visionary” (The New York Times), is a 2018 Emerging Artist of Lincoln Center and a 2015 Avery Fisher Career Grant recipient. Mr. Brown is also a critically acclaimed composer who has written works for Mr. Canellakis; as Composer-in-Residence with the New Haven Symphony for the 2017-18 and 2018-19 seasons, Mr. Brown has been commissioned to write a new symphonic work with Mr. Canellakis as soloist. Mr. Canellakis is a filmmaker and actor, and he and Mr. Brown produce and star in a comedy web series called “Conversations with Nick Canellakis,” in which they conduct satirical interviews with stars of the classical music world. 

Joining Mr. Canellakis and Mr. Brown in this performance are pianist Orion Weiss and percussionist Ian David Rosenbaum.

 

According to The Washington Post, "Weiss has both powerful technique and exceptional insight, and brought an almost sculptural

presence and weight to the music."

 

One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American Orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. With a warmth to his playing that reflects his personality, Orion has performed with dozens of orchestras in North America and has dazzled audiences with his passionate, lush sound.

 

In 2019-20 Weiss performed with orchestras from Austin to Milwaukee, toured with both James Ehnes and Augustin Hadelich, and in recital with his trademark exquisitely curated repertoire. Recent seasons have seen Weiss in performances for the Lucerne Festival, the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage, and at Aspen, Bard, and Grand Teton summer festivals. Other highlights of recent seasons include his third performance with the Chicago Symphony, a performance of Beethoven's Triple Concerto with the Saint Paul Chamber Orchestra, the release of his recording of Christopher Rouse’s Seeing, and recordings of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

 

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as

a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

 

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with the violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud

Sussman; the pianist Shai Wosner; the cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard, and made his New York recital debut at Alice Tully Hall that April. Also in 2005 he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with Shai Wosner.

 

Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School where he studied with Emanuel Ax.

Praised for his “spectacular performances” (Wall Street Journal), and his “unfailing virtuosity” (Chicago Tribune), percussionist Ian David Rosenbaum has developed a musical breadth far beyond his years. As a passionate advocate for contemporary music, Mr. Rosenbaum has premiered over one hundred new chamber and solo works. He has collaborated with and championed the music of established and emerging composers alike.

 

In 2017, Mr. Rosenbaum released his first full-length solo album, Memory Palace , on NS Tracks. He is featured on Andy Akiho’s 2018 album The War Below alongside The Knights and pianist Vicky Chow, and will release an album with Andy Akiho and the Dover Quartet in 2021. In 2012 Mr. Rosenbaum joined the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two) program as only the second percussionist they have selected in their history.

 

Highlights of the 2019-2020 season included a performance of 

Kontakte at the Chamber Music Society of Lincoln Center, and debuts at the Moab Music Festival, Rockport Music, and Dumbarton Oaks. The virtual world premiere of Christopher Cerrone’s Don’t Look Down featuring pianist Conor Hanick and Sandbox Percussion was presented during the summer by the Caramoor Center for Music and the Arts.

 

Future highlights include the world premiere of Seven Pillars , an evening- length multidisciplinary work by Andy Akiho with Sandbox Percussion, and world premieres by Douglas Cuomo, Molly Joyce, Harold Meltzer, and Jessica Meyer.

 

Mr. Rosenbaum is a member of Sandbox Percussion, The Percussion Collective, and The Pittsburgh New Music Ensemble. He has recorded for the Bridge, Coviello Classics, Innova,Naxos, and Starkland labels and is on faculty at the Mannes School of Music. Mr. Rosenbaum endorses Pearl/Adams instruments, Vic Firth mallets, and Remo drumheads.

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